Two decades after its original negatives were burned in a fire, Satyajit Ray’s breathtaking milestone of world cinema rises from the ashes in a meticulously reconstructed new 4K restoration. The Apu Trilogy brought India into the golden age of international art-house film, following one indelible character, a free-spirited child in rural Bengal who matures into an adolescent urban student and finally a sensitive man of the world. These delicate masterworks—Pather Panchali (Song of the Little Road), Aparajito (The Unvanquished), and Apur Sansar (The World of Apu)—based on two books by Bibhutibhusan Banerjee, were shot over the course of five years, and each stands on its own as a tender, visually radiant journey. They are among the most achingly beautiful, richly humane movies ever made—essential works for any film lover.
AN HONEST LIAR is a feature documentary about the world-famous magician, escape artist, and world-renowned enemy of deception, James 'The Amazing' Randi. The film brings to life Randi's intricate investigations that publicly exposed psychics, faith healers, and con-artists with quasi-religious fervor. A master deceiver who came out of the closet at the age of 81, Randi created fictional characters, fake psychics, and even turned his partner of 25 years, the artist Jose Alvarez, into a sham guru named Carlos. But when a shocking revelation in Randi's personal life is discovered, it isn't clear whether Randi is still the deceiver - or the deceived.
A heart-racing documentary portrait of Carl Boenish, the father of the BASE-jumping movement, whose early passion for skydiving led him to ever more spectacular -and dangerous- feats of foot-launched human flight. Experience his jaw-dropping journey in life and love, to the pinnacle of his achievements when he and wife Jean broke the BASE-jumping Guinness World Record in 1984 on the Norwegian 'Troll Wall' mountain range. Incredibly, within days, triumph was followed by disaster. Told through a stunning mix of Carl's 16mm archive footage, well-crafted re-enactments and state-of-the-art aerial photography, Sunshine Superman will leave you breathless and inspired.
Life begins to imitate art in uncanny ways In this vibrant seriocomic re-imagining of Flaubert's literary classic when earthy British beauty Gemma (Gemma Arterton) and her furniture restorer husband Charles Bovery (Jason Flemyng, X-Men: First Class, The Curious Case of Benjamin Button) move to the very same Norman village where the graphic novel was written. Local baker and Flaubert fan Martin Joubert (Fabrice Luchini) falls for the lovely and charming newcomer and sets out to be her mentor. It doesn't take long before his wild imagination leads him to draw parallels between the literary and real life woman, as he insinuates himself into her life. She soon finds herself at a crossroads that seems to be fulfilling Joubert's worst fears that her destiny is mirroring that of Flaubert's doomed heroine. Director Anne Fontaine's clever adaptation of the graphic novel is at once a cheeky literary mash-up, a sensuous romance, a witty feminist commentary, and a heady celebration of French provincial life.
From the Academy Award winning director of A SEPARATION comes this gripping mystery set among a group of old friends on a holiday retreat. With the return of their close friend Ahmad from Germany, a group of former college pals decide to reunite for a weekend outing by the Caspian Sea. The fun starts right away as they quickly catch on to the plan of lively Sepideh, who has brought along Elly, her daughter's kindergarten teacher, in hopes of setting her up with recently divorced Ahmad. But seemingly trivial lies, which start accumulating from the moment the group arrives at the seashore, suddenly swing round and come back full force when one afternoon Elly suddenly vanishes. Her mysterious disappearance sets in motion a series of deceptions and revelations that threaten to shatter everything they hold dear.
Running counter to the current strain of wan, mechanical biopics, Bertrand Bonello's Saint Laurent toys deliriously with the genre's rules and limitations. Focusing on a dark, hedonistic, wildly creative decade (from 1967 to Õ77) in Yves Saint Laurent's life and career, Bonello considers the couturier (convincingly embodied by Gaspard Ulliel and later by Visconti stalwart Helmut Berger) as a myth, a brand, an avatar of his era. Bonello's star-studded supporting cast (including Louis Garrel, Léa Seydoux, Jérémie Renier, and Valeria Bruni Tedeschi) serves as first-rate human mise en scéne amid a kaleidoscopic torrent of lavish excess, retrospectively pieced together with a Proustian form of fast-and-loose association. As much as his subject and the gravitational pull he exerts in the hothouse environments of atelier and nightclub, Bonello is interested - as he was in House of Pleasures, his sumptuous portrait of a fin de siecle Parisian brothel - in cinema's potential both to capture and to warp the passage of time and our perception of it.
Me and Earl and The Dying Girl Opens Friday, June 26
Winner of the Grand Jury Prize and the Audience Award at the 2015 Sundance Film Festival, ME AND EARL AND THE DYING GIRL is the uniquely funny, moving story of Greg (Thomas Mann), a high school senior who is trying to blend in anonymously, avoiding deeper relationships as a survival strategy for navigating the social minefield that is teenage life. He even describes his constant companion Earl (RJ Cyler), with whom he makes short film parodies of classic movies, as more of a 'co-worker' than a best friend. But when Greg's mom (Connie Britton) insists he spend time with Rachel (Olivia Cooke) - a girl in his class who has just been diagnosed with cancer - he slowly discovers how worthwhile the true bonds of friendship can be.
In this vibrant, funny, and heartfelt film, a widow and former songstress discovers that life can begin anew at any age. After the death of her beloved dog, Carol (Blythe Danner) finds the everyday activities that have given her life structure - her regular bridge game, gardening, a glass of wine or two - have lost their luster. With the support of three loyal girlfriends (June Squibb, Rhea Perlman, and Mary Kay Place), Carol decides to embrace the world, embarking on an unlikely friendship with her pool maintenance man (Martin Starr), pursuing a new love interest (Sam Elliott), and reconnecting with her daughter (Malin Akerman).
Locked away from society in an apartment on the Lower East Side of Manhattan, the Angulo brothers learn about the outside world through the films that they watch. Nicknamed the Wolfpack, the brothers spend their childhood re-enacting their favorite films using elaborate homemade props and costumes. With no friends and living on welfare, they feed their curiosity, creativity, and imagination with film, which allows them to escape from their feelings of isolation and loneliness. Everything changes when one of the brothers escapes, and the power dynamics in the house are transformed. The Wolfpack must learn how to integrate into society without disbanding the brotherhood.
London's National Gallery, one of the world's foremost art institutions, is itself portrayed as a brilliant work of art in this, Frederick Wiseman's 39th documentary and counting. Wiseman listens raptly as a panoply of docents decode the great canvases of Da Vinci, Rembrandt, and Turner; he visits with the museum's restorers as they use magnifying glasses, tiny eye-droppers, scalpels, and Q-tips to repair an infinitesimal chip; he attends administrative meetings in which senior executives do (polite) battle with younger ones who want the museum to become less stodgy and more welcoming to a larger cross-section of the public. But most of all, we experience the joy of spending time with the aforementioned masters as well as Vermeer and Caravaggio, Titian and Velazquez, Pissarro and Rubens, and listen to the connoisseurs who discourse upon the aesthetic, historical, religious and psychological underpinnings of these masterpieces.