Opera
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SAN FRANCISCO OPERA
Renée Fleming in
LUCREZIA BORGIA

Wednesday, November 12
- 1:00pm BUY TICKETS
Saturday, November 15 - 1:00pm
BUY TICKETS

performartscard2x35a1a1a4a1b1$15 Adults | $13 Seniors/Students
$10 Friends of the Tivoli & Tivoli Performing Arts Cardholders
(at the door only)

ALL SEATING GENERAL ADMISSION
Running time: 2:16 - plus one intermission

Renée Fleming, “America’s most-loved and most-lauded opera singer” (The Times, London), returns to San Francisco Opera in the title role of this melodically rich bel canto masterpiece.

A femme fatale renowned for her ruthless pursuit of power reveals poignant vulnerability when she comes face to face with her long-lost son.

The silken-voiced soprano sings this touchstone role “with raw intensity and earthy richness, utterly inhabiting the character” (The New York Times). She will be joined by "rising American tenor Michael Fabiano [who] shone as Gennaro, his warm lyric tone founded on longbreathed phrasing and a well-shaped line" (Opera News), and bass Vitalij Kowaljow, who sings with a “potent blend of vocal weight and emotional transparency” (San Francisco Chronicle); mezzo-soprano Elizabeth DeShong, whose "big, bright and pleasing voice was wonderful as Orsini" (The New York Times); and led by internationally acclaimed conductor Riccardo Frizza.

Recorded October 2011

 


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TEATRO REAL - MADRID
BODAS DE SANGRE and
SUITE FLAMENCA

Sunday, November 23 - 1:00pm BUY TICKETS
Tuesday, November 25 - 7:00pm BUY TICKETS

performartscard2x35a1a1a4a1b1a$15 Adults | $13 Seniors/Students
$10 Friends of the Tivoli & Tivoli Performing Arts Cardholders
(at the door only)

ALL SEATING GENERAL ADMISSION
Running time: 2:20 - plus one intermission

Bodas de Sangre - In 1974 Antonio Gades would take a huge step forward for Spanish dance with the creation of his ballet Blood Wedding, or Bodas de Sangre, based on the play by Federico García Lorca, who in turn was inspired by the news of an incident that took place in Nijar in 1928. It was adapted for ballet by Alfredo Mañas, who had already collaborated with Antonio ten years before in Don Juan.

Suite Flamenca - The dances with which Antonio Gades began his solo career in about 1963 were gradually shaped into the numbers that would become the Suite Flamenca five years later, eight pieces of traditional flamenco dance presented from Gades’ own angle. This Suite was performed by his company, including, among others, Cristina Hoyos, his dance partner for more than twenty years, who in turn had replaced Curra Jiménez, Antonio’s partner in the early years.

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Cenerentolaliceu

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GRAN TEATRO DEL LICEU
Joyce DiDonato & Juan Diego Flórez
in CENERENTOLA


Saturday, December 28 - 1:00pm BUY TICKETS
Sunday, January 4 - 1:00pm BUY TICKETS

ALL SEATS $15

GENERAL ADMISSION
Running time: 2:45 - plus one intermission

“Catch Joyce DiDonato and Juan Diego Flórez in what may just be definitive performances in Rossini’s enchanting rags-to-riches rendition,” entreated James Sohre in his review of Rossini’s beloved dramma giocoso “La Cenerentola” in Opera Today. This performance from Barcelona’s Gran Teatre del Liceu captures all the vocal sparks and dazzle generated by these two phenomenal singers. With his airy, effortless high notes and perfect command of rapid-fire Rossinian parlando, the charismatic Flórez once again proves that he was born to sing Rossini.

American mezzo Joyce DiDonato is not only a beautiful Angelina and a stunning presence, but also a prodigiously gifted artist who moves with ease and grace from the most delicate pianissimi to the most heartrending outbursts of passion. A noted bel canto singer, Ms. DiDonato won the Metropolitan Opera’s Beverly Sills Award in 2007.

Coproduced by the Houston Grand Opera, the Welsh National Opera Cardiff and Geneva’s Grand Théâtre in addition to the Liceu, this international undertaking boasts a truly cosmopolitan flair. Conducting the Orchestra of the Gran Teatre del Liceu, Patrick Summers leads “an effervescent reading” (Opera Today) that is fully supported by the rest of the top-notch cast. Director Joan Font and his set and costume designer Joan Guillén keep the audience busy with many lovingly crafted details, including dancers costumed as rats, cheerily colorful costumes and imaginative lighting effects, courtesy of Albert Faura. Light and bubbly, this is Rossini at his finest!

 



 


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